Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre
has done such work on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have came out occasionally, however the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Avion En Papier Dessiner Japanese Origami.
Origami fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved exclusively by folding.
Fleur origami
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modeling particularly if foil has been used and one can be certain of the material remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper is apparently Japanese in origin Avion En Papier Qui Vole Loin Et Bien was demonstrated by Yoshizawa at a Convention in Liverpool. Another method of wet moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and we are approaching sculpture rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the finish to Bateau En Papier Facile show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the creature and then brought together. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have appeared for folding a dragon from a number of pieces of different sizes.
Comment faire un avion en papier
Within the most extreme combinations Origami Box Rose of water and paper we are, naturally , in the world of fun which is obviously an open-ended art. DecoratingThe simplest step from a single color is one side coloured and one white or plain. A great offer of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration Avion En Papier Simple à Faire occurs in Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The slicing out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we may use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. The most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.
